{"id":2,"date":"2026-07-02T12:51:22","date_gmt":"2026-07-02T12:51:22","guid":{"rendered":"https:\/\/jirizmetekvintr.com\/?page_id=2"},"modified":"2026-07-27T11:33:24","modified_gmt":"2026-07-27T09:33:24","slug":"homepage","status":"publish","type":"page","link":"https:\/\/jirizmetekvintr.com\/dk\/","title":{"rendered":"Homepage"},"content":{"rendered":"
\n \n \n\t\n\n\n\n
\n \n \n\t\n\n\n\n
\n\n

\n
JIRI<\/div>\n
ZMETEK<\/div>\n
VINTR<\/div>\n<\/h1>\n\n\n<\/div>
\n \n \n\t\n\n\n\n
\nTATTOO ARTIST
BRNO & KODA\u0147\n<\/div>\n<\/div>
\n \n \n\t\n\n\n\n
\n\n\n
\n
\n \t \t \t
\n +\n <\/div>\n \t <\/div>\n<\/div>\n\n<\/div>\n<\/div>
\n \n \n\t\n\n\n\n
\nVytv\u00e1\u0159\u00edm osobn\u00ed, detailn\u00ed a nad\u010dasov\u00e1 tetov\u00e1n\u00ed v klidn\u00e9m prost\u0159ed\u00ed studia. Ka\u017ed\u00fd motiv m\u00e1 sv\u016fj v\u00fdznam a ka\u017ed\u00fd klient si zaslou\u017e\u00ed pln\u00fd respekt a individu\u00e1ln\u00ed p\u0159\u00edstup.\n<\/div>\n<\/div>
\n \n \n\t\n\n\n\n
\n \n \n \n \n \n \n \n \n \n\n \n \n \n \n \n \n\n \n REZERVOVAT TERM\u00cdN<\/span>\n\n \n \n <\/a>\n\n \n\n\n<\/div>
\n \n \n \n \n \n \n \n \n \n\n \n \n \n \n \n \n\n \n PROHL\u00c9DNOUT PR\u00c1CE<\/span>\n\n \n \n <\/a>\n\n \n\n\n<\/div>\n<\/div>\n<\/div><\/div>\n<\/section>
\n \n \n\t\n\n\n\n
\n \n \n\t\n\n\n\n\n<\/div><\/div>\n<\/section>
\n \n \n\t\n\n\n\n

\nBIO\n<\/h2>
\n \n \n\t\n\n\n\n
\n \n \n\t\n\n\n\n\n<\/div>
\n \n \n\t\n\n\n\n

\nTetov\u00e1n\u00ed jako um\u011bn\u00ed, ne jen jako
\u0159emeslo.\n<\/h3>
\nDvacet jedna let v\u011bnuji jedin\u00e9mu \u0159emeslu \u2014 a st\u00e1le m\u011b bav\u00ed v\u00edc ne\u017e na za\u010d\u00e1tku.\n<\/div>
\nZa\u010d\u00ednal jsem v Brn\u011b, kde jsem ve sv\u00fdch osmn\u00e1cti otev\u0159el prvn\u00ed studio. St\u0159edn\u00ed stavebn\u00ed \u0161kola a n\u00e1sledn\u00e9 studium designu n\u00e1bytku mi daly jin\u00fd pohled na tvar, konstrukci a proporce \u2014 architektonick\u00e9 my\u0161len\u00ed, kter\u00e9 mi dodnes ur\u010duje, jak \u010dtu prostor, tvar i p\u0159\u00edb\u011bh. Od roku 2010 p\u016fsob\u00edm tak\u00e9 v Kodani, v letech 2015 a\u017e 2024 jsem soub\u011b\u017en\u011b spolupracoval se studii v Lond\u00fdn\u011b, Los Angeles a Lichten\u0161tejnsku.\n<\/div>
\nDnes pracuji mezi Brnem a Kodan\u00ed. M\u00fdm oborem je \u010dernob\u00edl\u00e1 realistika \u2014 pr\u00e1ce, kter\u00e1 stoj\u00ed a pad\u00e1 s preciznost\u00ed a trp\u011blivost\u00ed. Vyhled\u00e1v\u00e1m n\u00e1ro\u010dn\u00e9 projekty a klienty, kte\u0159\u00ed v\u011bd\u00ed, co cht\u011bj\u00ed, nebo hledaj\u00ed n\u011bkoho, kdo jim to pom\u016f\u017ee naj\u00edt.\n<\/div>
\nInspiraci hled\u00e1m na cest\u00e1ch po sv\u011bt\u011b. Preferuji kvalitu nad kvantitou \u2014 v pr\u00e1ci i mimo ni.\n<\/div>\n<\/div>\n<\/div><\/div>\n<\/section>
\n \n \n\t\n\n\n\n
\n \n \n\t\n\n\n\n\n<\/div><\/div>\n<\/section>
\n \n \n\t\n\n\n\n

\nSLU\u017dBY\n<\/h2>
\n \n \n\t\n\n\n\n
\n \n \n\t\n\n\n\n
\n \n \n\t\n\n\n\n

\nRealistika &
Fotorealistika\n<\/h3>
\n\n\n
\n
\n \t <\/div>\n<\/div>\n\n<\/div>
\n\u010cernob\u00edl\u00e1 realistika je m\u016fj hlavn\u00ed jazyk. Pracuji s jakoukoliv fotografickou p\u0159edlohou \u2014 portr\u00e9ty, zv\u00ed\u0159ata, architektura, krajina. Motivy tak\u00e9 kombinuji do kol\u00e1\u017e\u00ed, kde v\u00edce p\u0159edloh tvo\u0159\u00ed jeden spole\u010dn\u00fd p\u0159\u00edb\u011bh. Ka\u017ed\u00fd n\u00e1vrh vznik\u00e1 z pe\u010dliv\u00e9 pr\u00e1ce se sv\u011btlem, st\u00ednem a kontrastem \u2014 tetov\u00e1n\u00ed kter\u00e9 vypad\u00e1 stejn\u011b p\u0159esv\u011bd\u010div\u011b i po n\u011bkolika dek\u00e1d\u00e1ch.\n<\/div>\n<\/div>
\n \n \n\t\n\n\n\n

\nVelkoform\u00e1tov\u00e1
tetov\u00e1n\u00ed\n<\/h3>
\n\n\n
\n
\n \t <\/div>\n<\/div>\n\n<\/div>
\nVelk\u00fd form\u00e1t m\u011b bav\u00ed nejv\u00edc. Mnoho m\u00fdch klient\u016f nese mou pr\u00e1ci na v\u011bt\u0161in\u011b t\u011bla \u2014 a pr\u00e1v\u011b v rozs\u00e1hl\u00fdch projektech se uk\u00e1\u017ee, zda tat\u00e9r skute\u010dn\u011b rozum\u00ed kompozici, rytmu a proporc\u00edm. V\u00fdzvy v\u00edt\u00e1m.\n<\/div>\n<\/div>
\n \n \n\t\n\n\n\n

\nCover-up\n<\/h3>
\n\n\n
\n
\n \t <\/div>\n<\/div>\n\n<\/div>
\nCover-up je discipl\u00edna, kter\u00e1 vy\u017eaduje zku\u0161enost a up\u0159\u00edmnost. Ne ka\u017ed\u00e9 tetov\u00e1n\u00ed lze zakr\u00fdt \u2014 pokud to p\u016fvodn\u00ed pr\u00e1ce neumo\u017e\u0148uje, existuje mo\u017enost tetov\u00e1n\u00ed nejprve zesv\u011btlit laserem a otev\u0159\u00edt tak cestu k lep\u0161\u00edmu v\u00fdsledku. V\u017edy se d\u00e1 naj\u00edt \u0159e\u0161en\u00ed. Pokud zakryt\u00ed mo\u017en\u00e9 nen\u00ed ani tak, \u0159eknu to rovnou.\n<\/div>\n<\/div>\n<\/div>
\n \n \n\t\n\n\n\n\n<\/div>\n<\/div><\/div>\n<\/section>
\n \n \n\t\n\n\n\n
\n \n \n\t\n\n\n\n\n<\/div><\/div>\n<\/section>
\n \n \n\t\n\n\n\n

\nPORTFOLIO\n<\/h2>
\n\n\n \n\n\n\n\n\n\n\n\n\n\n
\n \n <\/span>\" data-category=\"1\" data-lg-size=\"592-740\"\n\n >\n
\n \n \n <\/figure>\n <\/a>\n\n \n <\/span>\" data-category=\"1\" data-lg-size=\"592-740\"\n\n >\n
\n \n \n <\/figure>\n <\/a>\n\n \n <\/span>\" data-category=\"1\" data-lg-size=\"592-740\"\n\n >\n
\n \n \n <\/figure>\n <\/a>\n\n \n <\/span>\" data-category=\"1\" data-lg-size=\"592-740\"\n\n >\n
\n \n \n <\/figure>\n <\/a>\n\n \n <\/span>\" data-category=\"1\" data-lg-size=\"592-740\"\n\n >\n
\n \n \n <\/figure>\n <\/a>\n\n \n <\/span>\" data-category=\"1\" data-lg-size=\"592-740\"\n\n >\n
\n \n \n <\/figure>\n <\/a>\n\n \n <\/span>\" data-category=\"1\" data-lg-size=\"592-740\"\n\n >\n
\n \n \n <\/figure>\n <\/a>\n\n \n <\/span>\" data-category=\"1\" data-lg-size=\"592-740\"\n\n >\n
\n \n \n <\/figure>\n <\/a>\n\n \n <\/span>\" data-category=\"1\" data-lg-size=\"592-740\"\n\n >\n
\n \n \n <\/figure>\n <\/a>\n\n \n <\/span>\" data-category=\"1\" data-lg-size=\"592-740\"\n\n >\n
\n \n \n <\/figure>\n <\/a>\n\n \n <\/span>\" data-category=\"1\" data-lg-size=\"592-740\"\n\n >\n
\n \n \n <\/figure>\n <\/a>\n\n \n <\/span>\" data-category=\"1\" data-lg-size=\"592-740\"\n\n >\n
\n \n \n <\/figure>\n <\/a>\n\n \n <\/span>\" data-category=\"1\" data-lg-size=\"592-740\"\n\n >\n
\n \n \n <\/figure>\n <\/a>\n\n \n <\/span>\" data-category=\"1\" data-lg-size=\"592-740\"\n\n >\n
\n \n \n <\/figure>\n <\/a>\n\n \n <\/span>\" data-category=\"1\" data-lg-size=\"592-740\"\n\n >\n
\n \n \n <\/figure>\n <\/a>\n\n \n <\/div>\n\n\n\n<\/div><\/div>\n<\/section>
\n \n \n\t\n\n\n\n
\n \n \n\t\n\n\n\n\n<\/div><\/div>\n<\/section>
\n \n \n\t\n\n\n\n

\nOCEN\u011aN\u00cd\n<\/h2>
\nSedmn\u00e1ct ocen\u011bn\u00ed nap\u0159\u00ed\u010d sv\u011btem. Na p\u00f3di\u00edch v Lond\u00fdn\u011b a Los Angeles jsem sout\u011b\u017eil
vedle nejlep\u0161\u00edch tat\u00e9r\u016f sv\u011bta \u2014 a p\u0159ivezl jsem si v\u00edc ne\u017e jen zku\u0161enost.\n<\/div>
\n \n \n\t\n\n\n\n
\n \n \n\t\n\n\n\n
\n \n \n\t\n\n\n\n
\n2007 \u2014 Brno, CZ\n<\/div>
\n1st Best of Show\n<\/div>
\nReject Holidays Tattoo Festival\n<\/div>\n<\/div>
\n \n \n\t\n\n\n\n
\n2009 \u2014 Praha, CZ\n<\/div>
\n2nd Colour Sunday & 2nd Best of Crazy Saturday\n<\/div>
\n11th International Tattoo Convention Prague\n<\/div>\n<\/div>
\n \n \n\t\n\n\n\n
\n2010 \u2014 Poysdorf, AT\n<\/div>
\n3rd Best of Realistic\n<\/div>
\nStarfire Tattoo Weekend\n<\/div>\n<\/div>
\n \n \n\t\n\n\n\n
\n2010 \u2014 Opava, CZ\n<\/div>
\n3rd Best of Colour\n<\/div>
\nTattoo Session Silesia\n<\/div>\n<\/div>
\n \n \n\t\n\n\n\n
\n2010 \u2014 Praha, CZ\n<\/div>
\n2nd Most Crazy\n<\/div>
\n12th International Tattoo Convention Prague\n<\/div>\n<\/div>
\n \n \n\t\n\n\n\n
\n2011 \u2014 Praha, CZ\n<\/div>
\n2nd Ornamental Saturday & 2nd Small Sunday\n<\/div>
\n13th International Tattoo Convention Prague\n<\/div>\n<\/div>
\n \n \n\t\n\n\n\n
\n2012 \u2014 Praha, CZ\n<\/div>
\n3rd Individual Saturday\n<\/div>
\n14th International Tattoo Convention Prague\n<\/div>\n<\/div>
\n \n \n\t\n\n\n\n
\n2016 \u2014 H\u00e4meenlinna, FI\n<\/div>
\n1st Best Vintage & 1st Best of Friday & 1st Best of Saturday\n<\/div>
\nUnique Art Festival\n<\/div>\n<\/div>
\n \n \n\t\n\n\n\n
\n2016 \u2014 Aarhus, DK\n<\/div>
\n1st Best of Show\n<\/div>
\nAarhus Art Convention\n<\/div>\n<\/div>
\n \n \n\t\n\n\n\n
\n2017 \u2014 Brno, CZ\n<\/div>
\n2nd Large Black & Grey\n<\/div>
\nTattoo Grand Prix\n<\/div>\n<\/div>
\n \n \n\t\n\n\n\n
\n2018 \u2014 Copenhagen, DK\n<\/div>
\nInk King\n<\/div>
\n50 Shades of Ink\n<\/div>\n<\/div>
\n \n \n\t\n\n\n\n
\n2018 \u2014 Brno, CZ\n<\/div>
\n1st Best Realism & 2nd Large Black & Grey\n<\/div>
\nTattoo Grand Prix\n<\/div>\n<\/div>
\n \n \n\t\n\n\n\n
\n2018 \u2014 London, UK\n<\/div>
\n1st Best Realism\n<\/div>
\nThe Great British Tattoo Show\n<\/div>\n<\/div>
\n \n \n\t\n\n\n\n
\n2019 \u2014 Brno, CZ\n<\/div>
\n3rd Large Black & Grey\n<\/div>
\nTattoo Grand Prix\n<\/div>\n<\/div>
\n \n \n\t\n\n\n\n
\n2019 \u2014 London, UK\n<\/div>
\n1st Best of Sunday & 1st Best Black & Grey\n<\/div>
\nThe Great British Tattoo Show\n<\/div>\n<\/div>
\n \n \n\t\n\n\n\n
\n2019 \u2014 Los Angeles, USA\n<\/div>
\n2nd Best of Original\n<\/div>
\nGolden State Tattoo Expo\n<\/div>\n<\/div>
\n \n \n\t\n\n\n\n
\n2019 \u2014 London, UK\n<\/div>
\n2nd Best Backpiece \/ Coverage\n<\/div>
\nThe London Tattoo Convention\n<\/div>\n<\/div>
\n \n \n\t\n\n\n\n
\n2021 \u2014 Olomouc, CZ\n<\/div>
\n2nd Best Black & Grey (feat. Tom\u00e1\u0161 Bastard)\n<\/div>
\nTattoo Expo Han\u00e1\n<\/div>\n<\/div>\n<\/div>
\n \n \n\t\n\n\n\n
\n \n \n\t\n\n\n\n\n<\/div>\n<\/div>\n<\/div><\/div>\n<\/section>
\n \n \n\t\n\n\n\n
\n \n \n\t\n\n\n\n\n<\/div><\/div>\n<\/section>
\n \n \n\t\n\n\n\n
\n \n \n \n\t\n\n\n\n

\nBOOKING\n<\/h2>

\nRezervovat term\u00edn\n<\/h2>
\n\n
\n \n \n \n
\n \n \n